YIVO’s Museum of Jewish Art, Judaica, and Art History was initiated in the mid-1930s at YIVO’s Vilna headquarters. Those involved included the well-known artist Marc Chagall and the Austrian-Jewish art historian Otto Schneid. Before Schneid was tapped to spearhead this museum, he had dedicated years of his life to creating a kind of encyclopedia of contemporary Jewish artists, many of them contributors to L’Ecole de Paris and satellites of this avant-garde art movement in cities across Europe. Beginning in 1929, Schneid travelled to view the artwork of over one hundred a hundred Jewish artists such as Chana Orloff, Alfred Reth, Oscar Miestchaninoff, and Henryk Streng. He also corresponded with them by letter, and the artists sent him photographs of their work along with their biographies. Schneid submitted the manuscript of his encyclopedia to his publisher in 1937. Following the Anschluss of March 1938, the Nazis raided the publishing house and destroyed the manuscript. Schneid escaped Europe with the letters and photographs he had gathered with the hope of recreating the book.

Based on her archival work at YIVO and at the University of Toronto’s Fisher Library, Alyssa Quint discusses the lives of Schneid and his artists and uses the case of Schneid to reflect on the allure of and impediments to archival research.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.