symposium
Translating Jewishness: Conversations on Culture and Civilization draws on the collection of the Posen Library of Jewish Culture and Civilization to engage two key modes of Jewish expression: anthologies and translations. Throughout the centuries, Jews have gathered selections from the storehouse of Jewish culture and civilization into more widely accessible anthologies. In addition, for as long as Jews have lived dispersed across the globe, they have translated their sacred texts into their current vernaculars. As Jews settled in more places and began to speak more languages, the choice of what to translate and make more readily available for contemporary audiences became more complicated. Translation accompanied anthologizing. This symposium explores the dynamics of translating and dimensions of the Jewish anthological imagination.
The symposium is presented in partnership with the Posen Library of Jewish Culture and Civilization. It is also supported by the American Jewish Historical Society, the Leo Baeck Institute, and the YIVO Institute for Jewish Research. It is organized with support from the David Berg Foundation & NYC Department of Cultural Affairs. The symposium is the sixth installment in a larger series of public symposia sponsored by the Center for Jewish History’s Jewish Public History Forum.
Related exhibition opening:
At 12:00 pm, we will host the opening of Translating Jewishness: Culture and Civilization in the Posen Library. Between 1880 and 1918, around the globe, regimes collapsed, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened. Few communities experienced the pressures and possibilities of the era more profoundly than the world’s Jews.
This exhibit focuses on the range of Jewish expression—from mystical visions to political thought, cookbooks to literary criticism, modernist poetry to vaudeville—in English translations in Volume 7 of the Posen Library of Jewish Culture and Civilization, edited by Israel Bartal and Kenneth B. Moss. It features examples from seven languages drawn from sources at the Center for Jewish History.
Jewish secularism and the resurgence of traditionalism, the remaking of Jews as a modern nation, cultural assimilation and integration, the triumphs of Zionism and its discontents—all have their roots in this era. This exhibit offers an engaging starting point for anyone wishing to understand the divided Jewish present.
Ticket Info: Pay what you wish; click below to register (all proceeds go to the Center for Jewish History)
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symposium
book talk
Israel's cultural space is frequently studied as if it were synonymous with the Hebrew-Israeli one. But within the borders of Israel, a fascinating culture was (and continues to be) created in many languages other than Hebrew.
I Am Your Dust: Representations of the Israeli Experience in Yiddish Prose, 1948–1967 expands the boundaries of current studies of Israel's cultural history by presenting and analyzing Yiddish-Israeli prose written during the country's first two decades as an independent state. It offers a comprehensive study of that unique, and hitherto little understood, literature, a detailed historical documentation of the contexts of its production, and an eye-opening comparison of its themes to the more familiar outputs of Hebrew-Israeli prose.
I Am Your Dust is the first socioliterary investigation of Yiddish-Israeli culture, and it explores how Yiddish-Israeli writers played a vital role in shaping the country's cultural identity in its early years.
Join YIVO for a discussion of the newly published translation of this book with author Gali Drucker Bar-Am, led by Barbara Mann.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required.
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book talk
lecture
In most cases, European Jews took on surnames in the late 18th and early 19th centuries after it was mandated by central authorities like the Hapsburg Emperor, the Czar, or Napoleon. In Germany, which consisted of dozens of more-or-less independent states, and where some Jews had used surnames for centuries, the story is more complicated. In this talk, Roger Lustig, a professional genealogist specializing in Prussian Jewish records, will discuss the many different ways and reasons German Jews chose, or were required to choose, surnames. Mr. Lustig is also the project guru of JewishGen’s Germany Research Division and the project coordinator of JRI-Poland’s Prussian Poland Research Area.
Ticket Info: Pay what you wish; register here
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lecture
conversation
Julie Salamon (New York Times best-selling author) sits down with Adam Nagourney, national politics reporter for The New York Times. Since joining the newspaper in 1996, he has served as Los Angeles bureau chief, West Coast cultural affairs reporter, chief national political correspondent, and chief New York political reporter. Adam is the author of The Times: How the Newspaper of Record Survived Scandal, Scorn, and the Transformation of Journalism and co-author of Out for Good, a history of the modern gay rights movement. Adam is our first At Lunch returning guest and will be joining us to discuss the 2024 Presidential Election.
Ticket Info: Free; register online for a Zoom link
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conversation
book talk
The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions.
Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required.
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book talk
book talk
The American Jewish Historical Society with the Glucksman Ireland House and the Kansas City Irish Center present, Opening Doors: The Unlikely Alliance Between the Irish and the Jews in America with author Hasia R. Diner in conversation with Terry Golway.
Popular belief holds that the various ethnic groups that emigrated to the United States at the turn of the twentieth century regarded one another with open hostility, fiercely competing for limited resources and even coming to blows in the crowded neighborhoods of major cities. One of the most enduring stereotypes is that of rabidly anti-Semitic Irish Catholics, like Father Charles Coughlin of Boston and the sensationalized Gangs of New York trope of Irish street thugs attacking defenseless Jewish immigrants.
In Opening Doors, Hasia R. Diner, one of the world’s preeminent historians of immigration, tells a very different story; far from confrontational, the prevailing relationships between Jewish and Irish Americans were overwhelmingly cooperative, and the two groups were dependent upon one another to secure stable and upwardly mobile lives in their new home. The Irish had emigrated to American cities en masse a generation before the first major wave of Jewish immigrants arrived, and had already entrenched themselves in positions of influence in urban governments, public education, and the labor movement. Jewish newcomers recognized the value of aligning themselves with another group of religious outsiders who were able to stand up and demand rights and respect despite widespread discrimination from the Protestant establishment, and the Irish realized that they could protect their political influence by mentoring their new neighbors in the intricacies of American life.
Opening Doors draws from a deep well of historical sources to show how Irish and Jewish Americans became steadfast allies in classrooms, picket lines, and political machines, and ultimately helped one another become key power players in shaping America’s future. In the wake of rising anti-Semitism and xenophobia today, this informative and accessible work offers an inspiring look at a time when two very different groups were able to find common ground and work together to overcome bigotry, gain representation, and move the country in a more inclusive direction.
Ticket Info:
In Person: General Admission $10, Students $5, Admission + Book $35
Online: Free with RSVP
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book talk
lecture
Genealogist Caitlin Hollander-Waas will explore how second, third, and even fourth-generation descendants of European Jewish immigrants can reclaim citizenship within the European Union. Focusing on Poland, Germany, and Hungary, Caitlin will share practical insights and advice drawn from her personal and professional experience. Participants will learn how to locate and retrieve necessary documentation, avoid common pitfalls, and navigate the application process.
Ticket Info: Pay what you wish; register here
Presented by:
lecture
conversation
Julie Salamon (New York Times best-selling author) sits down with Tony and Obie Award-winning songwriter/performer Shina Taub. Shaina is Artist-in-Residence at the Public Theater, where Suffs first premiered before moving to Broadway. She created and performed in musical adaptations of Twelfth Night and As You Like It at Shakespeare in the Park with the Public Works community that have since been produced by London’s National Theatre, the Young Vic, and hundreds more theaters and schools worldwide. Taub has won a Jonathan Larson Grant, Kleban Prize, and Fred Ebb Award. She performed Off-Broadway in Hadestown, Great Comet (Lortel nom), Bill Irwin and David Shiner’s Old Hats, which featured her songs, and played Emma Goldman in the Ragtime on Ellis Island concert. She wrote the lyrics for The Devil Wears Prada, with music by Sir Elton John, opening in the West End this year. Her three solo albums include Songs of the Great Hill on Atlantic Records. Television songwriting: “Sesame Street,” “Central Park,” “Julie’s Greenroom” starring Julie Andrews, and the Emmy-nominated opening number for the 2018 Tony Awards, co-written with Sara Bareilles and Josh Groban. She co-chairs the NYCLU’s Artist Ambassadors and received the organization’s Michael Friedman Freedom Award for activism.
Ticket Info: Free; register online for a Zoom link
Presented by:
conversation
lecture
Gertrude Berg, the woman widely credited with creating the first sit-com (The Goldbergs) appeared on The Ed Sullivan Show in 1959 to talk about children wanting a Christmas tree for Hanukkah. This navigation of "The December Dilemma" has been a challenge for many American Jewish families, and as such has been plumbed for comedic effect throughout the history of television comedy.
Join YIVO for a very Jewish Christmas celebration featuring a talk by Jennifer Caplan on Jewish television characters managing (or not) to make it through the holidays. A kosher Chinese food dinner will follow the presentation.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: In Person: $15; YIVO members & students: $10
Zoom Livestream: Free; registration is required.
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lecture
book talk
Join the American Jewish Historical Society for a book talk on Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort with author Michael Berkowitz.
It has long been known that Hollywood was actively involved in shaping US public opinion during World War II. Less well documented are the ways in which Washington sought to work behind the scenes, subtly obliterating the boundaries between “studio” and “government” films. Michael Berkowitz studies the contributions of humorist and best-selling author Leo Rosten (The Joys of Yiddish, The Education of H*Y*M*A*N* K*A*P*L*A*N) and writer, producer, and screenwriter Budd Schulberg (On the Waterfront, A Face in the Crowd) in order to examine the elusive story of Jewish Hollywood’s role in World War II.
Hollywood’s Unofficial Film Corps shows that Rosten, Schulberg, and others—including Garson Kanin, George Cukor, Stanley Kramer, and Jules Buck—created movies that were both entertaining and politically expeditious for US war aims. At the same time, in an effort to unify the American public, they avoided focusing on the fate of European Jews, even while addressing racism and antisemitism in the United States. Jewish themes were often downplayed, and Jewish directors, writers, and other contributors frequently went uncredited. As Berkowitz writes, “Rosten’s cohort changed feature films forever.” Thanks to his research, we now have a better understanding of how and why.
Ticket Info: General Admission $10, Students $5
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book talk
book talk
Join us in person and online for a book talk on The Civil War Diary of Emma Mordecai with co-author Melissa R. Klapper and moderator Zev Eleff. The Civil War Diary of Emma Mordecai was edited by Dianne Ashton z”l and Melissa R. Klapper and is available from NYU Press.
Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans.
The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women’s roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai’s world, the book chronicles her experiences with dislocation and the loss of her home.
Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South.
Ticket Info: General Admission $10, Students $5
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book talk