theatrical performance
Leo Baeck Institute is proud to present the North American premiere ofinterdisciplinary performance The Archive by Neta Pulvermacher. The performances will take place February 24, 25, and 26 at the Center for Jewish History.
When the last person who remembers is gone, whole worlds disappear forever. Israeli/American artist, choreographer and performer Neta Pulvermacher situates her riveting one woman show, The Archive, inside this perforated post-memory landscape. Exploring her German-Jewish family history, she constructs a jarring, funny and deeply moving performative journey that follows the traces to Frankfurt and Berlin – once her family’s home.
Pulvermacher sifts through documents, old pictures, and personal artifacts, conjuring up fragmented narratives, voices, and characters that emerge briefly, only to fade back into oblivion. Through research and memory, she combines real and imagined sites and events, blurring the lines between past and present, battling the gradual disappearance of memories.
For a moment, this pursuit of traces materializes in the Great Hall of NYC’s Center for Jewish History, a place of remembrance itself. As Pulvermacher navigates this layered landscape, she invites the audience to join her as she attempts to reconstruct a lost world. Especially in times of crisis, the questions of memory and history and their significance for understanding our world(s) become relevant and urgent.
Originally commissioned as a site-specific work for a quartet of dancers at the Leo Baeck Institute Jerusalem, The Archive was reimagined as a one-woman show for the KFW Stiftung Villa 102 in Frankfurt Germany (March 2024) and the Suzanne Dellal Center in Tel Aviv (June 2024). Following this North American premiere at the Center for Jewish History, Pulvermacher invites the audience to an artist talk.
Made possible in part by support from the Arnhold family and Mary and Saul Sanders.
Ticket Info: LBI/CJH/Partner Members, Students, Seniors: $15; General: $25-$40
Presented by:
theatrical performance
theatrical performance
Leo Baeck Institute is proud to present the North American premiere ofinterdisciplinary performance The Archive by Neta Pulvermacher. The performances will take place February 24, 25, and 26 at the Center for Jewish History.
When the last person who remembers is gone, whole worlds disappear forever. Israeli/American artist, choreographer and performer Neta Pulvermacher situates her riveting one woman show, The Archive, inside this perforated post-memory landscape. Exploring her German-Jewish family history, she constructs a jarring, funny and deeply moving performative journey that follows the traces to Frankfurt and Berlin – once her family’s home.
Pulvermacher sifts through documents, old pictures, and personal artifacts, conjuring up fragmented narratives, voices, and characters that emerge briefly, only to fade back into oblivion. Through research and memory, she combines real and imagined sites and events, blurring the lines between past and present, battling the gradual disappearance of memories.
For a moment, this pursuit of traces materializes in the Great Hall of NYC’s Center for Jewish History, a place of remembrance itself. As Pulvermacher navigates this layered landscape, she invites the audience to join her as she attempts to reconstruct a lost world. Especially in times of crisis, the questions of memory and history and their significance for understanding our world(s) become relevant and urgent.
Originally commissioned as a site-specific work for a quartet of dancers at the Leo Baeck Institute Jerusalem, The Archive was reimagined as a one-woman show for the KFW Stiftung Villa 102 in Frankfurt Germany (March 2024) and the Suzanne Dellal Center in Tel Aviv (June 2024). Following this North American premiere at the Center for Jewish History, Pulvermacher invites the audience to an artist talk.
Made possible in part by support from the Arnhold family and Mary and Saul Sanders.
Ticket Info: LBI/CJH/Partner Members, Students, Seniors: $15; General: $25-$40
Presented by:
theatrical performance
theatrical performance
Leo Baeck Institute is proud to present the North American premiere ofinterdisciplinary performance The Archive by Neta Pulvermacher. The performances will take place February 24, 25, and 26 at the Center for Jewish History.
When the last person who remembers is gone, whole worlds disappear forever. Israeli/American artist, choreographer and performer Neta Pulvermacher situates her riveting one woman show, The Archive, inside this perforated post-memory landscape. Exploring her German-Jewish family history, she constructs a jarring, funny and deeply moving performative journey that follows the traces to Frankfurt and Berlin – once her family’s home.
Pulvermacher sifts through documents, old pictures, and personal artifacts, conjuring up fragmented narratives, voices, and characters that emerge briefly, only to fade back into oblivion. Through research and memory, she combines real and imagined sites and events, blurring the lines between past and present, battling the gradual disappearance of memories.
For a moment, this pursuit of traces materializes in the Great Hall of NYC’s Center for Jewish History, a place of remembrance itself. As Pulvermacher navigates this layered landscape, she invites the audience to join her as she attempts to reconstruct a lost world. Especially in times of crisis, the questions of memory and history and their significance for understanding our world(s) become relevant and urgent.
Originally commissioned as a site-specific work for a quartet of dancers at the Leo Baeck Institute Jerusalem, The Archive was reimagined as a one-woman show for the KFW Stiftung Villa 102 in Frankfurt Germany (March 2024) and the Suzanne Dellal Center in Tel Aviv (June 2024). Following this North American premiere at the Center for Jewish History, Pulvermacher invites the audience to an artist talk.
Made possible in part by support from the Arnhold family and Mary and Saul Sanders.
Ticket Info: LBI/CJH/Partner Members, Students, Seniors: $15; General: $25-$40
Presented by:
theatrical performance
concert
Distinguished Warsaw-based clarinetist Andrzej Cieplinski will appear in a rare American recital performing Jewish classical music masterworks. This program will feature Alexander Krein's two suites of "Jewish Sketches" for Clarinet and String Quartet which take inspiration from Yiddish folksong and Klezmer music and Joseph Achron's Kindersuite, a collection of character pieces inspired by Hebrew cantillation for clarinet, string quartet, and piano. The program will also feature a new work by YIVO's own Alex Weiser and selections from Cieplinski's Limanowa project which features recently discovered pre-Holocaust Jewish music found in a small town in Southern Poland. Sergei Prokofiev's beloved Overture on Hebrew Themes completes the program. Cieplinski will be joined by cellist Julian Schwarz, pianist Marika Bournaki, violinists Peter Sirotin and Daniel Kurganov, and violist Colin Brookes.
The Sidney Krum Young Artists Concert Series is made possible by a generous gift from the Estate of Sidney Krum.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required.
Presented by:
concert
concert
The Leo Baeck Institute New York and Elysium – between two continents are excited to welcome the established Austrian pianist Gottlieb Wallisch for an enchanting evening dedicated to the rich musical heritage of early 20th-century Vienna.
This recital features a remarkable selection of works by three distinguished composers: Arnold Schönberg, the groundbreaking innovator of modern music; Egon Wellesz, one of Schoenberg’s earliest and most passionate scholars; and Wilhelm Grosz, one of the most versatile talents known for blending classical and jazz influences.
Join us for a captivating program that includes Wellesz’s evocative Der Abend, Schoenberg’s iconic Klavierstück, op. 11/2 (arranged by Ferruccio Busoni) and Grosz’s impressive Symphonic Variations.
Program:
Egon Wellesz (1885-1974): Der Abend, op.4
Arnold Schoenberg (1874-1951): Klavierstück, op.11/2 (arr. Ferruccio Busoni)
Wilhelm Grosz (1894-1939): Symphonische Variationen über ein eigenes Thema, op. 9
In the season 2024-25, we are commemorating anniversaries of two Viennese champions of 20th century music: Arnold Schoenberg, the "Godfather" of Modern Music, who would have turned 150, and Egon Wellesz, one of his earliest and most affectionate scholars, who died in Oxford in 1974. Wellesz's first cycle for piano solo, "Der Abend" (1909/10), shows various stylistic influences, with scents of fin de siècle and impressionism. Schoenberg’s Three Piano Pieces, Op. 11, have reached an almost iconic status in the piano literature, being an outstandingly expressive and cogent example of the master’s atonal phase. Here, the rarely heard "concert version" by Ferruccio Busoni of the second piece is played, over which a lively debate developed between the two eminent composers in 1910.
Wilhelm Grosz was born in Vienna, also studied composition with Franz Schreker. He later settled for four years in London in 1934 and arrived in the United States in 1938. His musical path has taken quite different directions than the two others’, and his enormous talent is reflected in his activities as a composer, pianist, arranger, conductor, and music producer. In the early 1920s, he was among the first Austrian composers to incorporate jazz idioms into his works. The Symphonic Variations, Op. 9 from 1920, are a monumental piece that combines a post-Mahlerian musical language with highly imaginative pianism.
Gottlieb Wallisch is currently recording Grosz's Complete Piano Musicfor Grand Piano Records, with the first CD released in November 2024 to great critical acclaim.
Ticket Info: General: $15; LBI/CJH/Partner Members, Students, Seniors: $10
Presented by:
concert
concert
Join the American Society for Jewish Music and YIVO for a free concert of Jewish choral masterpieces, featuring the magnificent voices of students from the Hebrew Union College - Jewish Institute of Religion’s Debbie Friedman School of Sacred Music and the Jewish Theological Seminary’s H. L. Miller Cantorial School. Joyce Rosenzweig and Cantor Natasha J. Hirschhorn will serve as conductors, with Pedro d’Aquino accompanying the choir on the piano.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required.
Presented by:
concert
performance
Through his haunting and evocative score, Ofer Ben-Amots offers an operatic retelling of Sh. An-ski’s masterpiece of the Yiddish theatrical canon. Wracked with grief for her beloved, Leah, the daughter of a wealthy merchant, recounts her love of a young scholar who died on learning of her betrothal to another man. On the day of the wedding, she becomes possessed by an evil spirit, known in Jewish folklore as a dybbuk. In order to exorcize the spirit and save Leah’s soul, the village must learn the spirit’s true origin.
Directed by Stephen Brown-Fried and performed by students from Mannes and the College of Performing Arts, this production of the The Dybbuk is certain to excite your spirits!
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: $18; ASJM, YIVO, & LBI members: $12; Seniors & students: $9
Presented by:
performance
performance
Through his haunting and evocative score, Ofer Ben-Amots offers an operatic retelling of Sh. An-ski’s masterpiece of the Yiddish theatrical canon. Wracked with grief for her beloved, Leah, the daughter of a wealthy merchant, recounts her love of a young scholar who died on learning of her betrothal to another man. On the day of the wedding, she becomes possessed by an evil spirit, known in Jewish folklore as a dybbuk. In order to exorcize the spirit and save Leah’s soul, the village must learn the spirit’s true origin.
Directed by Stephen Brown-Fried and performed by students from Mannes and the College of Performing Arts, this production of the The Dybbuk is certain to excite your spirits!
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: $18; ASJM, YIVO, & LBI members: $12; Seniors & students: $9
Presented by:
performance
concert
This lecture-recital aims to raise awareness about a unique and rich vocal repertoire within the Western classical medium, one that also offers a window into Sephardic culture and history. In this two-part event, Dr. Lori Sen will present an overview of the history, language, and culture of Sephardim, the development of the Sephardic art song genre, and its musical elements and stylistic features. Zoë Johnstone Stewart (guitar) and Andrew Stewart (piano) will join Lori for the recital portion and will present a variety of songs for voice and guitar, and voice and piano by Alberto Hemsi, Mario Castelnuovo-Tedesco, Lazare Saminsky, Joaquín Rodrigo, Joaquín Nin-Culmell, Manuel García Morante, Yehezkel Braun, Jose Antonio de Donostia, Daniel Akiva, Matilde Salvador, Ulrike Merk, among others.
The Sidney Krum Young Artists Concert Series is made possible by a generous gift from the Estate of Sidney Krum.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: $15; YIVO members & students: $10
Presented by:
concert
lecture
What role should Jews play in revolutionary movements? Should they act collectively on their own behalf or as indistinct individuals within majority populations in the interest of universalistic ideals? Or was this a false dichotomy? These questions have defined the basis of left-wing Jewish politics since the 19th century.
In this lecture, Tony Michels will discuss two different approaches to revolutionary Jewish politics, as defined by Leon Trotsky and Chaim Zhitlowsky. Both were Russian-born Jews who played seminal roles in the Russian revolutionary movement. Both also came to be seen as embodiments of the modern Jewish experience. However, they gave radically different answers to the predicament of modern Jewry.
This evening’s program is the first in a series of programs held in conjunction with YIVO’s current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world’s most comprehensive body of material pertaining to Jewish political activity in Europe and the United States.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required
Presented by:
lecture
concert
Arturo O’Farrill, and his Afro Latin Jazz Orchestra, perform a concert that explores the relationship between the Latino and Jewish communities. The evening will feature Jewish and Yiddish classics in Afro Latin big band versions, and Latin classics in Klezmer arrangements. The Orchestra will feature performances by special guests including trumpeter/slide trumpeter, composer Steven Bernstein.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info:
In Person: $25; Members (YIVO, Belongó, ASJM, Borscht Belt Museum, LBI): $15; Students: $15
Zoom Livestream: $10
Presented by:
concert