concert
Join YIVO for a YouTube premiere performance by Ryan MacEvoy McCullough of Joseph Achron’s Children's Suite (1923): a collection of 20 character pieces for piano depicting the world of children. Achron was a composer and virtuoso violinist as well as one of the founding members of the Society for Jewish Folk Music in St. Petersburg. Born in the Russian Empire in 1886, he ultimately settled in Los Angeles. Upon Achron's death in 1943, Arnold Schoenberg called him "one of the most underestimated of modern composers." The music of this Children's Suite provides an example of a style Achron pioneered, which incorporates motifs from biblical cantillation.
The Sidney Krum Young Artists Concert Series is made possible by a generous gift from the Estate of Sidney Krum.
About the Performer
Pianist Ryan MacEvoy McCullough has developed a rich musical life as soloist, vocal and instrumental collaborator, composer, recording artist, and pedagogue. His growing discography features many world premiere recordings, including solo piano works of Milosz Magin (Acte Prealable), Andrew McPherson (Secrets of Antikythera, Innova), John Liberatore (Line Drawings, Albany), Nicholas Vines (Hipster Zombies from Mars, Navona), art song and solo piano music of John Harbison and James Primosch (Descent/Return, Albany), and art song by Sheila Silver (Beauty Intolerable, Albany). He has also appeared on PBS’s Great Performances (Now Hear This, “The Schubert Generation”) and NPR’s From the Top. He has appeared as a concerto soloist with major orchestras including with the Los Angeles Philharmonic and Toronto Symphony Orchestra and has collaborated with such conductors as Gisele Ben-Dur, George Benjamin, Fabien Gabel, Leonid Grin, Anthony Parnther, Larry Rachleff, Mischa Santora, and Joshua Weilerstein. He lives in Kingston, NY, with his wife, soprano Lucy Fitz Gibbon.
Ticket Info: Free; register for an email reminder
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concert
the blavatnik chamber music series at cjh

Join Phoenix Chamber Ensemble pianists Vassa Shevel and Inessa Zaretsky with guest artist Ellen Braslavsky (piano) for a memorable evening of Mozart, Rachmaninoff, Schnittke, and Bizet.
Program:
Wolfgang Amadeus Mozart, Sonata in D Major, K. 448, for Two Pianos, Four Hands
Sergei Rachmaninoff, Suite No. 1, Op.5 for Two Pianos, Four Hands
Alfred Schnittke, Gogol Suite, arranged for two pianos by Valery Borovikov
Georges Bizet, Carmen Suite for Piano Six Hands, arranged by J. Kowalewski
Founded in 2005 by pianists Vassa Shevel and Inessa Zaretsky, the Phoenix Chamber Ensemble has become a vital part of the New York classical community, presenting more than 70 public concerts at the Center for Jewish History. The ensemble has garnered a devoted following with its innovative programming and sensitive interpretations, earned an international reputation presenting concerts in Russia, Poland, Italy, and other European venues, and collaborated with numerous acclaimed guest artists, including clarinetist David Krakauer, the Grammy-nominated Enso Quartet, the Tesla Quartet, members of the Jasper String Quartet, the New York Little Opera Company, the Metropolitan Opera, and New York City Ballet.
Made possible by the Stravinsky Institute Foundation through the generous support of the Blavatnik Family Foundation.
Ticket Info:
In-person: $18 general, $10 seniors, $8 members click here to register
YouTube: Pay what you wish; click here to register
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the blavatnik chamber music series at cjh
book talk
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on What’s My Line? whom TV brought into America’s homes each week. But they didn’t know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Join YIVO for a discussion with Gayle Feldman about her book Nothing Random: Bennett Cerf and the Publishing House He Built, in a discussion moderated by Jonathan Brent.
About the Speakers
Gayle Feldman has written for Publishers Weekly for forty years, including as a senior staff editor; since 1999, as U.S. correspondent for The Bookseller, she has analyzed the American book business for U.K. readers; and she has contributed features and reviews on books and culture to The New York Times, The Nation, The Daily Beast, and other publications. She is the author of You Don’t Have to Be Your Mother and Best and Worst of Times. She received a Public Scholars award from the National Endowment for the Humanities.
Jonathan Brent is the Executive Director of the YIVO Institute for Jewish Research in New York City. From 1991 to 2009 he was Editorial Director and Associate Director of Yale Press. He is the founder of the world acclaimed Annals of Communism series, which he established at Yale Press in 1991. Brent is the co-author of Stalin’s Last Crime: The Plot Against the Jewish Doctors, 1948-1953 (Harper-Collins, 2003) and Inside the Stalin Archives (Atlas Books, 2008). He is now working on a biography of the Soviet-Jewish writer Isaac Babel. Brent teaches history and literature at Bard College.
Ticket Info: Free; registration is required
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book talk
book talk
Join YIVO for a conversation with Ofer Dynes and Svetlana Natkovich exploring two new books that examine the emergence of modern Jewish identity through literature, politics, and self-expression. Dynes’ The Fiction of the State: The Partitions of Poland and the Beginning of Modern Jewish Literature locates the origins of modern Jewish literature within the Partitions of Poland during the late eighteenth century and argues that literature became a central venue for reflecting on the new political order during a time when most forms of political expression were banned. Rather than as an internal Jewish struggle between tradition and modernity, he presents Hebrew and Yiddish literature as a field of negotiation among multiple local and imperial belongings.
Natkovich’s Questionable People: Inventing Modern Jewish Selves in the Russian Empire, 1860–1890 explores how the maskilim used self-expression, fashion, dress, and their artistic work to define themselves. Differentiating themselves from what came before, maskilim crafted Jewish identities within a modernizing Russia. Natkovich analyzes the maskilim as a group existing between social and economic classes in a time of change, a generation of thinkers forced to radically assert their selfhoods.
Moderated by Jeremy Dauber, this discussion will explore how Jewish writers and thinkers navigated shifting political and social landscapes.
Buy Questionable People: Inventing Modern Jewish Selves in the Russian Empire, 1860–1890.
Ticket Info: Free; registration is required
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book talk
family history today

After 1906, immigration manifests offer a wealth of information, but what do you do if your family came over prior to that time? And how did they get from New York to the central United States? This presentation explores the immigration period from the early 1890s through 1906, a period which begins to offer useful information for a genealogical search. Using a case approach, we will look at derivative naturalization documents, trace contacts they were going to through the NY vital records and follow immigrants who found their route through Canada. Using paired surnames we will locate a birth record, join cousins on an ocean voyage to NY, find parents, their siblings and children and follow along on a journey to the Midwest. We will explore cases with name changes and variable spellings, work back from other documents, and resolve conflicting data.
About the Speaker
Susan Weinberg is an artist, author, professional genealogist and frequent speaker on genealogy topics. Her background bridges both creative and analytic work, both skills she draws on in genealogy. . Her creative work often involves storytelling and frequently explores family history themes. Having come out of a long career in finance, she often uses spreadsheets as an analytic tool in her genealogy research.
Susan is active in organizations within the world of Jewish genealogy, as president of the International Association of Jewish Genealogical Societies (IAJGS), immediate past president of the Minnesota Jewish Genealogical Society (MNJGS), vice president of the Jewish Historical Society of the Upper Midwest(JHSUM) and a member of the Association of Professional Genealogists (APG).
Susan developed the Jewish Identity and Legacy Project, an oral history project with elders, then authored the book We Spoke Jewish: A Legacy in Stories that includes oral history, artwork, and history on three groups of Jewish immigrants who spanned the 1900s. Susan has created and manages websites for JewishGen on the former Jewish communities of several of her ancestral towns. She writes frequently for publications on genealogy topics and does genealogy research for clients around the world.
Ticket Info: Pay what you wish
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family history today
lecture and concert
Join us in commemorating the Jewish community of Vilna through poetry, music, and presentation.
This year, Alyssa Quint will discuss the work of folk bard and songwriter Eliakum Zunser (Elyokem Tsunzer). A performance of Zunser’s music by tenor Maximillian Jansen and pianist Dan Schlosberg will follow Quint’s presentation.
About the Participants
Alyssa Quint is the Leo Charney Visiting Fellow at Yeshiva University’s Israel Studies Center and a co-editor of the Yiddish Voices translations series (YIVO/Bloomsbury). She is the author of The Rise of the Modern Yiddish Theater (2019), which was a finalist for the National Jewish Book Award and the Jordan Schnitzer Award. She is also the editor of three volumes on the Yiddish theater: Women on the Yiddish Stage (2023), Three Yiddish Plays by Women: Female Jewish Perspectives, 1880-1920 (2023), and Mississippi: a Yiddish Play About the Scottsboro Affair (2026). She is a contributing editor of the online Digital Yiddish Theater Project and an editor and writer for Tablet Magazine.
Tenor Maximillian Jansen is a versatile performer acclaimed for his work in opera, concert, and musical theater, praised for his “warm, but penetrating voice” (The Times Union). Recent highlights include his Lincoln Center debut with the New York Choral Society in Honegger’s King David, appearances with the Metropolitan Opera, Berkshire Opera Festival, and Opera Saratoga, and performances at the Bard Music Festival. In 2022, he presented a live premiere of a new work by David Ludwig Serkin for the YIVO Institute for Jewish Research. This premiere was given as part of YIVO’s Continuing Evolution: Yiddish Folksong Today, a music festival celebrating Yiddish folksong.
Brooklyn-based composer, pianist, arranger, and music director Dan Schlosberg creates acclaimed work across opera, theater, and concert music. Recent projects include arrangements and music direction of the original cast recording of Heartbeat Opera’s Manon! (2026); the new opera Complications In Sue (2026) with Michael R. Jackson’s libretto at Opera Philadelphia; the new musical The Counterfeit Opera (2025), which premiered at Little Island; and new orchestration for Poul Ruders’ The Handmaid’s Tale (2025) at Banff Centre for Arts and Creativity. In 2021, Schlosberg was the audition, rehearsal, and soundtrack pianist for Steven Spielberg’s West Side Story.
Ticket Info: Free; registration required
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lecture and concert
book talk
Introspectivism: Yiddish Poetry and Jewish Identity in 1930s America studies the poetry written in New York by the In Zikh, also known as the “Introspectivists” or Inzikhistn. Introspectivism forced social and political topics into the margins in order to create space for imagination and fantasy distant from the lived experience of the poets. As such, the worsening conditions of European Jews and the rise of totalitarianism in the early 1930s pushed the poets to address the theme of cultural heritage and reconnect with their Jewish roots. Although the Inzikhistn have been acknowledged as one of the most important groups of Yiddish writers, only certain aspects of their poetry and poetics have been explored. Itay Zutra focuses primarily on In Zikh’s poetry to show how it determined the course of the group’s development and the development of Introspectivism as a movement. By developing a methodology that explores Yiddish poetry as context for the expansion of individualism in Jewish culture, Zutra affirms how the overall movement carved out room for Yiddish-speaking American Jewish identity.
Join YIVO for a discussion with Zutra about this new book moderated by Justin Cammy.
Ticket Info: Free; registration is required
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book talk
lecture
In celebration of YIVO's 101st year, join us for our Yiddish Civilization 101 series. Each program will highlight key topics in Ashkenazi history and culture, including shtetl life, film, and Ashkenazi foodways, amongst others. Guided by expert scholars, each lecture will provide a greater understanding of Jewish life in Eastern Europe and its diasporas.
Born before World War I, the Yiddish cinema came to supplement—and in some places supplant—the Yiddish stage. Except for a brief period on the eve of World War II when new Yiddish talkies appeared in New York City movie houses virtually every month, the Yiddish cinema was a novelty of the marketplace. Addressing a need and operating on a shoestring, these motion pictures created a world; at once documentary evidence and fantasy projection, they spoke directly to their Ashkenazi Jewish audiences. Yiddish movies also belong to Polish, Soviet, and off-Hollywood American cinema, but taken on its own terms, with neither laughter nor through tears.
This lecture by J. Hoberman will discuss this unique episode in film history, an international enterprise that created a national cinema without a nation-state.
About the Speaker
J. Hoberman is an author, teacher, and film critic (33 years at The Village Voice). His many books include Bridge of Light: Yiddish Film Between Two Worlds, The Red Atlantis: Communist Culture in the Absence of Communism, and, with Jeffrey Shandler, Entertaining America: Jews, Movies, and Broadcasting, written for the 2003 exhibition at the Jewish Museum. A contributor to the YIVO Encyclopedia of Jews in Eastern Europe and POLIN Museum’s Legacy of Polish Jews, Professor Hoberman taught for many years at the Cooper Union, as well as NYU, the University of Hawaii, Harvard University and currently, Columbia University, where his most recent graduate seminars have been devoted to documentary activism. He continues to contribute film criticism to The Nation, The New York Review of Books, and The New York Times. His most recent book is Everything is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop. Many years ago, he had a paid internship at YIVO.
Ticket Info: Free; registration is required
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lecture
conversation

Julie Salamon, New York Times best-selling author, sits down with author Joel Dinerstein to discusses his latest book, The Last of the Ellis Island Jews: A Brooklyn Memoir. Dinerstein is the founding editor of a new series, Lost Classics of Jewish Literature, for the University of New Orleans Press. He is a Professor of English and a Sizeler Professor in Jewish Studies at Tulane University, where his courses focus on race and racism. He is also a well-known expert on the concept of cool, having written the first history of the subject (The Origins of Cool in Postwar America) and co-curated the first national exhibition on the subject (American Cool at the Smithsonian).
Ticket Info: Free; register online for a Zoom link
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conversation
lecture
The arrival of millions of new Jewish immigrants, as well as the rise of the eugenics movement, fomented antisemitic sentiment in the United States in the early 20th century. American Jewish physicians, like other Jews, represented diverse viewpoints regarding how this frightening trend should be addressed. Unlike most American Jews, however, they were especially well equipped to couple these recommendations with their authority on Jewish biology, directly countering the scientific racism of eugenicists. This insider knowledge, along with the high esteem medical men were held by Jews at the time, made the voices of American Jewish physicians central to the community’s answer to “The Jewish Question” in the United States. While they disagreed on some biological nuances, early 20th century American physicians were broadly united in their resistance to a hereditarian notion of Jewishness: that Jewishness was biologically inscribed and that the Jewish body was inevitably distinct from the rest of the human race.
By delving into the published writings, personal correspondences, and diary entries of ideologically diverse Jewish physicians, Leigh Alon will show how in the early 20th century, American Jewish physicians, regardless of their politics, saw delegitimizing the biological basis for Jewishness as imperative towards securing their community’s future.
About the Speaker
Leigh Alon is an MD/PhD student in the History of Medicine at Johns Hopkins University, in her fifth year of the PhD. She is working on a dissertation tracking how American Jewish physicians defined Jewishness in biological terms from the early 20th into the 21st century. She is a 2026 Charlotte W. Newcombe Doctoral Dissertation Fellow. She has received fellowships from the American Philosophical Society, New York Academy of Medicine, the American Jewish Archives, the American Academy for Jewish Research, the American Jewish Historical Society, the Feinstein Center for American Jewish History, the Osler Library of the History of Medicine, and the YIVO Institute for Jewish Research. Before attending graduate school, she worked in HIV prevention at the Chicago Center for HIV Elimination.
Ticket Info: Free; registration is required
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lecture
discussion
Join us for an intimate evening celebrating the American premiere of Tfiles, a clarinet concerto by composer Alex Weiser, to be performed at Carnegie Hall on October 27th by clarinetist Andrzej Cieplinski and the American Composers Orchestra led by conductor Kedrick Armstrong. The evening will feature a conversation between Weiser and Cieplinski - moderated by distinguished scholar Barbara Kirshenblatt-Gimblett - exploring the work’s origins in Kadya Molodowsky’s poetic reflections on the idea of Jewish prayer, the partnership behind its realization, and the music's journey from its world premiere at POLIN Museum of the History of Polish Jews in Warsaw to the stage of Carnegie Hall. The evening will also include a brief solo performance by Cieplinski, followed by a reception with food and the opportunity to meet the artists. Tfiles (Yiddish for "prayers") recasts the clarinet concerto as a set of musical prayers. Praised after its Warsaw premiere as “full of noble simplicity and warmth” (Polityka), the concerto follows Molodowsky's lead in reimagining the traditional collective Jewish ritual search for the divine as a personal, individual quest beyond the boundaries of traditional observance.
Andrzej Cieplinski's participation in this concert is generously supported by the Polish Cultural Institute New York, the American Friends of POLIN Museum (AFoPM) / Association of the Jewish Historical Institute (SZIH), and the Adam Mickiewicz Institute (IAM).
About the Participants
Alex Weiser is a composer described by The New Yorker as having "a knack for crafting music that is at once historically rooted and of its moment." His work meditates on cultural inheritance, sanctity, and the transience of life. Weiser's debut album and all the days were purple was named a 2020 Pulitzer Prize Finalist; a second album, in a dark blue night, was released by Cantaloupe Music in 2024. His compositions include the clarinet concerto Tfiles, premiered at the POLIN Museum of the History of Polish Jews, and the operas Tevye's Daughters (American Lyric Theater) and The Great Dictionary of the Yiddish Language. Weiser serves as Director of Public Programs at the YIVO Institute for Jewish Research.
Andrzej Cieplinski is a Polish clarinetist recognized as one of his generation's most compelling voices in contemporary music. A laureate of the 2015 European Broadcasting Union’s New Talent of the Year award, he has performed as soloist with leading orchestras across Europe - including the Polish National Radio Symphony Orchestra, the Slovak Radio Symphony Orchestra, and Aukso - under conductors including Krzysztof Penderecki and Elim Chan. A graduate of the Hochschule fur Musik Basel and the Karol Szymanowski Academy of Music in Katowice, Cieplinski is deeply committed to expanding the clarinet repertoire through collaboration with living composers, continuing a family legacy of championship for new music.
Barbara Kirshenblatt-Gimblett is University Professor Emerita and Professor Emerita of Performance Studies at New York University, best known for her interdisciplinary contributions to Jewish studies and to the theory and history of museums, tourism, and heritage. Ronald S. Lauder Chief Curator of the Core Exhibition at the POLIN Museum of the History of Polish Jews, she has had a lifelong relationship with YIVO, directing the YIVO Folksong Project from 1973–1975 and serving on its Advisory Board. She was elected to the American Academy of Arts and Sciences, awarded the Dan David Prize, and decorated with the Officer’s Cross of the Order of Merit of the Republic of Poland.
The American Composers Orchestra (ACO) is a national discovery and development pipeline for new orchestral music, focused on bringing the full spectrum of American music to orchestral stages, providing a gateway to the orchestral composition and performance process, and amplifying the expressive power of orchestral music to enable a vibrant future for all Americans.
Ticket Info: Free
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discussion
lecture
The Oyneg Shabes archive that Emanuel Ringelblum organized in the Warsaw Ghetto was one of the most successful examples of cultural resistance in all of Nazi-occupied Europe, a reminder that Jews could fight with paper and pen as well as with guns. Ringelblum did all he could to make sure that even if the Jews of Poland did not survive, posterity would remember them on the basis of Jewish and not Nazi documents.
But Ringelblum’s archive did not arise in a vacuum. No single institution had more of an impact on its ethos than the pre-war YIVO. Many key members of the archive, including Emanuel Ringelblum, Yitzhak Giterman, Hersh Wasser, Shmuel Winter, Rachel Auerbach, and Menakhem Linder had been YIVO activists.
After the war, Wasser, one of only three survivors of the archive staff, and fearful of what would happen to Jewish life in Stalinist Poland, managed to smuggle copies of many rescued documents to the YIVO in New York. This talk by Samuel Kassow will discuss the contents of YIVO’s Hersh Wasser Collection and the insights it offers into the workings of the Oyneg Shabes archive.
Ticket Info: Free; registration is required
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lecture
lecture
More so than any other party on the Jewish left, the Jewish Labor Bund holds a particular mystique in the imagination of Jewish leftists, even decades after the Bund in Poland was dissolved. It is remembered as a potent symbol of Diaspora Socialism, anti-Zionism, and Yiddish activism. However, the Bund was more than a symbol. The Bund was a potent movement in the Jewish communities of Russia and Poland, shaping Jewish economic, political, and cultural life across Eastern Europe for half a century and continuing in the diaspora worldwide.
It is that reality that this talk by Joshua Meyers will explore. Using the Bund Archive, located and preserved at the YIVO Institute for Jewish Research, this talk will examine the history of the Bund from its origins through World War II, when the party served as the standard bearer of Diaspora Socialism in the Jewish communities of Eastern Europe. It will delve into the evolving relationships between the Bund and other major political movements—Zionists, Communists, and others—that it existed alongside and frame these relationships within their historical reality. It will explore the factors that made the Bund so attractive to Jews in the Russian Empire and interwar Polish Republic, as well as the limits to that attraction against the political, cultural, and social realities it lived in. Ultimately, it will offer a narrative of the Bund rooted not in our world or imaginations, but in the reality of the Bund’s own members, while exploring its legacy and that of Diaspora Socialism in the 21st century.
This evening’s program is the second in a series of programs held in conjunction with YIVO’s current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world’s most comprehensive body of material pertaining to Jewish political activity in Europe and the United States.
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lecture
book talk

Join author Melissa R. Klapper for a discussion of her new book Jewish Women at Home in the World: Gender, Judaism & American Identity in the Rise of Mass Tourism with AJHS historian Andrew Sperling.
While Americans have gone abroad for leisure and education since the early days of American history, the period between the end of the Civil War and the beginning of World War II saw the rise of mass tourism, with changes in the way travel operated opening up the world in new ways for millions of people. It was during this era that a wide range of American Jewish women began to travel more extensively, experiencing their journeys through their unique intersecting national, religious, and gender identities.
In Jewish Women at Home in the World, Melissa R. Klapper documents the remarkable number of American Jewish women who traveled abroad in the mid-19th to mid-20th century. These women went to school overseas, visited relatives and hometowns, worked abroad, attended international activist meetings, and took sightseeing trips alone, with family members or friends, or with organized tour groups. The volume looks specifically at the role that gender and Jewish identity, as well as their American background, played in the women’s choices of where to go, what to do, whom to see, and how to behave.
Ticket Info: Free; register online for a Zoom link
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book talk
film screening
In winning the Grand Prix at the Mannheim-Heidelberg International Film Festival (IFFMH) in 1964, Jan Nemec’s drama Démanty noci (Diamonds of the Night) became the first Czechoslovak New Wave film to receive an internationally recognized award. The motion picture, based on a short story from the autobiographical book Darkness Casts No Shadow by Arnost Lustig, offers unusual and intensely attitudinal insight into the topic of war and resilience pushed to its limits. It tells the story of two young Jewish men who escape from a train taking them to their death. The film amounts to a naturalistic study of endangerment, repudiation, and uprootedness. The experiences of the desperate refugees in the Sudetenland forest merge with the memories, dreams, and visions of one of the men. Thus, the anatomy of a tortured human soul is projected into the sphere of existential drama.
More than five decades after its premiere, the film received renewed international recognition when a remastered version, prepared by the Czech National Film Archive, was selected for the prestigious Cannes Classics section of the 2018 Cannes Film Festival, alongside restorations of landmark films such as Vertigo and 2001: A Space Odyssey.
Join YIVO for a screening of this film followed by a panel discussion with Jonathan Brent, Eva Lustigová, Emily Tamkin, and Michael Feldman.
This event forms part of FestivAL100, an international celebration marking the 100th anniversary of the birth of the writer, journalist, screenwriter, and Holocaust witness Arnošt Lustig.
Watch the trailer:
Ticket Info: $15; YIVO members: $10
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film screening
panel discussion
World of Our Fathers by Irving Howe, originally published in 1976, traces the journeys of Eastern Europe’s Jews to America over four decades. Beginning in the 1880s, it offers a portrayal of the Eastern European Jewish experience in New York and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. The book became a New York Times bestseller and remains a popular work for those interested in understanding why these forebears to many of today’s American Jews made the decision to leave their homelands and how they experienced immigrant life in the early part of the twentieth century.
Join us for a discussion reflecting on the legacy of World of Our Fathers in honor of its fiftieth anniversary with Hasia Diner, Tony Michels, and Sam Adler-Bell, moderated by Annie Polland.
Buy World of Our Fathers by Irving Howe.
Ticket Info: Free; registration is required
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panel discussion
lecture
In celebration of YIVO's 101st year, join us for our Yiddish Civilization 101 series. Each program will highlight key topics in Ashkenazi history and culture, including shtetl life, film, and Ashkenazi foodways, amongst others. Guided by expert scholars, each lecture will provide a greater understanding of Jewish life in Eastern Europe and its diasporas.
When does modern Yiddish literature begin? What does "modern" even mean? Which works belong to the Yiddish literary canon—and why were women so often left out? Why are the works of Mendele Moykher-Sforim, Sholem Aleichem, and Y.L. Peretz revered as the "classics" of Yiddish literature? Why was the Yiddish literary world so famously divided into competing literary, political, and ideological movements? How has the multilingualism of virtually every Yiddish writer—and reader—shaped the literature they created? And what role has translation played in the creation, dissemination, and reception of Yiddish literature?
Readers and writers have debated these issues ever since the Haskole, the Jewish Enlightenment. This talk by Anita Norich will trace the development of Yiddish literature from the early nineteenth century onward, examining its major writers, movements, and cultural contexts.
About the Speaker
Anita Norich is Collegiate Professor Emerita of English and Judaic Studies at the University of Michigan. She is the translator of Desires by Tsilye Dropkin (2024), Fear and Other Stories by Chana Blankshteyn (2022), A Jewish Refugee in New York by Kadya Molodovsky (2019), numerous short stories, among them the previously untranslated stories of Israel Joshua Singer and Esther Kreitman, and, with Ellen Cassedy, Hand to Hand by Rashel Veprinski (2025). She is also the author of Writing in Tongues: Yiddish Translation in the 20th Century; Discovering Exile: Yiddish and Jewish American Literature in America During the Holocaust; and The Homeless Imagination in the Fiction of Israel Joshua Singer.
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lecture
book talk
Join us for the launch of the latest two translations in the Yiddish Voices series, a partnership between YIVO and Bloomsbury. The first, Mississippi: A Yiddish Play about the Scottsboro Affair, is a fictionalized retelling of the Scottsboro Affair, which began with the wrongful arrest of nine African American youths in Alabama in 1931. The play demonstrates how important it was to Yiddish writers of the 1920s and 1930s to grapple with the persecution of Black people in America.
The second, Hasidic Warsaw: Reb Zalmen and the Aleksander Shtibl, is an intimate portrait of the lives of those who went inside the Aleksander Hasidim's shtibl (prayer house) in the early 20th century to pray, eat, study, and argue. The book provides rich material for the ethnography of Polish Hasidism in the early 20th century.
The event will feature a discussion exploring both of these newly published translations. The program will also include a performance by Marques Hollie of a song from Mississippi and a nigun from the Aleksander Hasidim. Book signing and reception will follow.
This program is supported by the family of Harriet Yassky.
Buy Mississippi: A Yiddish Play about the Scottsboro Affair.
Buy Hasidic Warsaw: Reb Zalmen and the Aleksander Shtibl.
Ticket Info: Free; registration is required
Presented by:

book talk
lecture
In celebration of YIVO's 101st year, join us for our Yiddish Civilization 101 series. Each program will highlight key topics in Ashkenazi history and culture, including shtetl life, film, and Ashkenazi foodways, amongst others. Guided by expert scholars, each lecture will provide a greater understanding of Jewish life in Eastern Europe and its diasporas.
There are many public misconceptions about the origins and history of Yiddish, however much consensus has emerged on a lot of the basics. This lecture by Dovid Katz will start with the Jewish scene in Europe just over a thousand years ago and survey the new European Jewish culture areas, focusing in on Ashkenaz, Ashkenazim, and all three of their Jewish languages (Hebrew, Aramaic, and Yiddish), setting the table for understanding the contextual rise and early history of Yiddish, its eastward trek, role in society, and dramatic growth. The lecture will also focus on the language and dialect, cultural orientations, literature, and the 19th century rise of Yiddish modernity in Eastern Europe.
The lecture will conclude by considering the internal diversity of Yiddish culture—from ultra-Orthodox to revolutionary secular movements—as well as touch on debates over linguistic standardization of the language.
Those interested in reading more on Dovid Katz’s perspectives are welcome to look at his book Words on Fire: The Unfinished Story of Yiddish, which is available free online as a PDF.
Ticket Info: Free; registration is required
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lecture
book talk
Through the Eyes of Jewish Child Survivors from Poland offers an intimate social history of Jewish childhood during and after the Holocaust. Centered on children from German-occupied Poland but informed by experiences across Nazi-occupied Europe, the book highlights the child’s own perspective to illuminate rescue, survival, and relationships with adults under the Nazi occupation. Author Joanna Beata Michlic examines children’s wartime experiences, showing how agency, gender, class, and religious or social background shaped their chances of survival. The book also traces the complex efforts of these young survivors to reclaim both childhood and Jewish identity, revealing the gap between their hopes and the actual opportunities of the immediate post-war period.
Drawing on children’s diaries, letters, testimonies, and memoirs, Michlic illuminates how children experienced and remembered trauma: the destruction of their families, the loss of their pre-war worlds, and the struggle to adapt to a new reality, challenging myths that sentimentalize the children’s endurance and portray the Holocaust as neatly concluded.
Join us for a conversation with Michlic about this book, led by Samuel Kassow.
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book talk
book club

Anjeana K. Hans will join the LBI Book Club to discuss The Director by Daniel Kehlmann
G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.
When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.
Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.
(Review: Amazon).
About the Speakers
Daniel Kehlmann was born in Munich and lives in Vienna, Berlin and New York
His novels include: Measuring the World, Me & Kaminski, Fame, F, You Should Have Left and Tyll, and he has won numerous prizes, including the Candide Prize, the Literature Prize of the Konrad Adenauer Foundation, the Doderer Prize, The Kleist Prize, the WELT Literature Prize, and the Thomas Mann Prize.
Tyll, in a translation by Ross Benjamin, was shortlisted for the International Booker Prize 2020. Measuring the World was translated into more than 40 languages and is one of the biggest successes in post-war German literature. The Director, his 14th novel, also translated into English by Ross Benjamin, was shortlisted for the International Booker Prize 2026.
Anjeana K. Hans is Professor of German Studies and affiliated faculty in Cinema and Media Studies at Wellesley College. Her research focuses on early silent film and on German and Austrian film of the 1930s, with emphases on questions of gender, identity, and subjectivity, on the representation of difference, and on exile and migration. Her publications include work on gender in Weimar cinema (Gender and the Uncanny in Films of the Weimar Republic, Wayne State UP, 2014), on the varied cultural anxieties and fascinations contextualizing Weimar film (Warning Shadows, Camden House, 2021), and on independent films in Austria (“‘Komisch ist die Welt, wie ein Traum:’ Franziska Gaal’s Verwechslungskomödien and the Exile’s Crisis of Identity,” in Rethinking Jewishness in Weimar Film, eds. Barbara Hales and Valerie Weinstein, Berghahn Books, 2021). She is currently working on a study of films produced in Austria between 1933 and 1938 by filmmakers forced out of the German film industry, in which she examines how they engage with the experience of exile and expulsion through narrative and aesthetic.
Ticket Info: Free; registration required
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book club
book talk
Back in Europe, Yiddish-speaking Jews traditionally let loose on Christmas Eve with feasting, drinking, dancing, and gambling. Scholars have previously assumed this Christmas Eve vacation from Torah study to have been some sort of antagonistic counterculture to Christians celebrating Christmas. But Christmas in Yiddish Tradition reveals that the Christmas traditions transmitted in Yiddish were very similar to those transmitted in other European languages. Drawing on a wealth of documents, Jordan Chad argues that rather than European Jews being antagonistic towards Christmas, their Christmas Eve celebrations were exactly what they looked like: Jews celebrating Christmas. The volume offers the surprising argument that while Jews never celebrated the birth of Jesus, Christmas did not actually become the strictly Christian holiday that it is today until the period when Jews migrated to the New World.
Join YIVO for a very Jewish Christmas celebration featuring a talk by Chad uncovering the story of how Christmas once flourished in a language exclusive to non-Christians—and how modern Jews and Christians ultimately came to forget about the time when they celebrated Christmas in tandem. A kosher Chinese food dinner will follow the presentation.
Ticket Info: $10; YIVO members & students: $5
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book talk
concert
Join us for an evening exploring the musical legacy of the Third Seder, the secular Passover celebration that became a vibrant feature of Yiddish cultural life in twentieth-century America. Presented in collaboration with the National Yiddish Theatre Folksbiene, this concert brings together rarely heard works and newly revived repertoire from this rich tradition.
The program features the world-premiere of two-piano arrangements of music by Lazar Weiner and Gershon Kingsley. A highlight of the evening Der Farshterter Peysekh (The Ruined Passover), a short ballet with narration based on Sholem Aleichem’s beloved Passover story. Featuring Zalmen Mlotek and Joyce Rosenzweig, along with special guest artists, the performance will also include additional musical treasures from the Third Seder tradition.
Ticket Info: $10; YIVO members: $5
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concert