lecture
In most cases, European Jews took on surnames in the late 18th and early 19th centuries after it was mandated by central authorities like the Hapsburg Emperor, the Czar, or Napoleon. In Germany, which consisted of dozens of more-or-less independent states, and where some Jews had used surnames for centuries, the story is more complicated. In this talk, Roger Lustig, a professional genealogist specializing in Prussian Jewish records, will discuss the many different ways and reasons German Jews chose, or were required to choose, surnames. Mr. Lustig is also the project guru of JewishGen’s Germany Research Division and the project coordinator of JRI-Poland’s Prussian Poland Research Area.
Ticket Info: Pay what you wish; register here
Presented by:
lecture
concert
This program offers a beautiful and culturally rich experience of how various male composers from different eras captured the female experience. It presents a rich tapestry of Jewish American and Israeli classical songs composed by male composers yet uniquely crafted from a female perspective and intended for the female voice.
Spanning various epochs and musical styles, the repertoire celebrates the profound tradition of Jewish music and literature, emphasizing the distinctive contributions of these composers. Each song serves as a narrative milestone within this genre, offering compelling stories that resonate deeply. The themes explored within the songs are diverse, ranging from the struggles of battered women to the yearnings for love, homeland, wealth, and stability—themes that often come with a high emotional cost.
Performed by soprano Ronit Widmann-Levy, this concert includes music by Kurt Weill, Menachem Wiesenberg, Daniel Akiva, Maurice Ravel, Sasha Argov, Oded Lerer, and Leonard Bernstein.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required
Presented by:
concert
conversation
Julie Salamon (New York Times best-selling author) sits down with Adam Nagourney, national politics reporter for The New York Times. Since joining the newspaper in 1996, he has served as Los Angeles bureau chief, West Coast cultural affairs reporter, chief national political correspondent, and chief New York political reporter. Adam is the author of The Times: How the Newspaper of Record Survived Scandal, Scorn, and the Transformation of Journalism and co-author of Out for Good, a history of the modern gay rights movement. Adam is our first At Lunch returning guest and will be joining us to discuss the 2024 Presidential Election.
Ticket Info: Free; register online for a Zoom link
Presented by:
conversation
film screening and discussion
In 1942, a Jewish mother, Hella Zacharias, and her five-year-old daughter went into hiding in the Berlin underground. Through Hella's own resourcefulness and the help of others, both mother and daughter survived through the war. In My Illegal Life (Germany, 2024), writer Esther Dischereit, Hella's second-born daughter, follows the traces of her mother's and half-sister's experiences in hiding.
After the screening, there will be a conversation with the film's director Gerhard Schick and Esther Dischereit, moderated by historian Irit Bloch.
The event is cosponsored by Deutsches Haus at NYU.
Ticket Info: Free; registration required
Presented by:
film screening and discussion
book talk
The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions.
Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required.
Presented by:
book talk
book talk
The American Jewish Historical Society with the Glucksman Ireland House and the Kansas City Irish Center present, Opening Doors: The Unlikely Alliance Between the Irish and the Jews in America with author Hasia R. Diner in conversation with Terry Golway.
Popular belief holds that the various ethnic groups that emigrated to the United States at the turn of the twentieth century regarded one another with open hostility, fiercely competing for limited resources and even coming to blows in the crowded neighborhoods of major cities. One of the most enduring stereotypes is that of rabidly anti-Semitic Irish Catholics, like Father Charles Coughlin of Boston and the sensationalized Gangs of New York trope of Irish street thugs attacking defenseless Jewish immigrants.
In Opening Doors, Hasia R. Diner, one of the world’s preeminent historians of immigration, tells a very different story; far from confrontational, the prevailing relationships between Jewish and Irish Americans were overwhelmingly cooperative, and the two groups were dependent upon one another to secure stable and upwardly mobile lives in their new home. The Irish had emigrated to American cities en masse a generation before the first major wave of Jewish immigrants arrived, and had already entrenched themselves in positions of influence in urban governments, public education, and the labor movement. Jewish newcomers recognized the value of aligning themselves with another group of religious outsiders who were able to stand up and demand rights and respect despite widespread discrimination from the Protestant establishment, and the Irish realized that they could protect their political influence by mentoring their new neighbors in the intricacies of American life.
Opening Doors draws from a deep well of historical sources to show how Irish and Jewish Americans became steadfast allies in classrooms, picket lines, and political machines, and ultimately helped one another become key power players in shaping America’s future. In the wake of rising anti-Semitism and xenophobia today, this informative and accessible work offers an inspiring look at a time when two very different groups were able to find common ground and work together to overcome bigotry, gain representation, and move the country in a more inclusive direction.
Ticket Info:
In Person: General Admission $10, Students $5, Admission + Book $35
Online: Free with RSVP
Presented by:
book talk
film screening and discussion
Join YIVO and Poetry in America for a panel discussion and screening of a short film examining the life of Joseph Brodsky, the celebrated Russian-Jewish American writer and Nobel Laureate.
Through analyses of two of Brodsky's evocative poems, “Epitaph for a Centaur” and “Six Years Later,” this 25-minute film encapsulates Brodsky's exploration of identity, belonging, and the passage of time. The film examines the paradoxical relationship between the U.S. and Russia during the Cold War, intricately portrayed through the symbolic figure of the centaur—a representation of Brodsky’s own multi-faceted existence as Russian, American, and Jewish. By delving into the intricate language of Brodsky’s poetry, this short film explores Brodsky’s Jewish identity, his legacy, and the political undertones of his writing.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required
Presented by:
film screening and discussion
film screening
What does it mean to be a Polish Jew today? How do Polish Jews define their own identity at different stages of life? How do they define their identity when they’re religious or atheist? Writer, reporter and photographer Mikolaj Grynberg seeks answers to these and many more questions in his directorial debut, Proof of Identity.
The interviewees of this poignant documentary represent a variety of Jews residing in Poland today. By interviewing the generation that has had no direct contact with the Holocaust survivors in their families, this film encourages viewers to ponder how Holocaust memory has evolved in Poland. The conversations reveal a vast array of attitudes and experiences, as the protagonists come from both big cities and the Polish province. The audience learns not only about each interviewee's family history, but also about their modern-day encounter with antisemitism in Poland.
Join YIVO for the US premiere of the POLIN Museum's new documentary, followed by a discussion with Grynberg.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: Free; registration is required
Presented by:
film screening
lecture
Genealogist Caitlin Hollander-Waas will explore how second, third, and even fourth-generation descendants of European Jewish immigrants can reclaim citizenship within the European Union. Focusing on Poland, Germany, and Hungary, Caitlin will share practical insights and advice drawn from her personal and professional experience. Participants will learn how to locate and retrieve necessary documentation, avoid common pitfalls, and navigate the application process.
Ticket Info: Pay what you wish; register here
Presented by:
lecture
film screening
This documentary about Russian-born American Yiddish poet and fiction writer Celia Dropkin (1887–1956) celebrates her unabashed writing about the female body and sexual liberation. Considered radical during her lifetime, Dropkin shocked readers around the world with sexually explicit depictions of lust. Her work defied gender norms and complicated traditional narratives and boundaries. Her poems invoked violent and erotic imagery as well as Christian iconography to describe passion, yearning, and death.
Burning Off the Page includes powerful dramatic readings, archival footage, historic recordings, and dazzling animations to bring Dropkin’s pioneering poems to life. Along with her descendants, filmmaker Eli Gorn interviews stars of the Jewish artistic world including writers, Yiddish translators, and musicians.
Join YIVO for the New York premiere of this documentary followed by a discussion with Gorn and poet Edward Hirsch.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: $10; YIVO members & students: $8; registration is required
Presented by:
film screening
concert and discussion
In a globalized world, composers are negotiating their identities in relation to both their cultural origins and broader, global contexts. Their music serves as a powerful medium for expressing and exploring these identities. By understanding and embracing the diversity of musical influences and backgrounds, societies can foster a rich and inclusive cultural landscape.
Join LBI and 1014 as we hear from four world-renowned composers, Craig Urquhart (Germany), Sergei Newsky (Russia), Konstantia Gourzi (Greece), and Tamar Muskal (Israel), from across the Atlantic to discuss their identity in our globalized world and present samples of their music. Moderated by pianist and concert curator Sophia Zhou. Curated and co-moderated by sculptor and artist Alexander Polzin. With music provided by the Juilliard School, as well as by performer Omar El-Okdah.
Concert:
Apollon- piano trio by Konstantia Gourzi
Argaman - piano trio by Tamar Muskal
Klavierquartett - piano quartet by Sergei Newsky
Lamentation song solo piano Craig Urquhart
Closing Song:
Schubert’s Wanderer
Song from Egyptian composer Addelwahab
Ticket Info: Free; registration required
Presented by:
concert and discussion
conversation
Julie Salamon (New York Times best-selling author) sits down with Tony and Obie Award-winning songwriter/performer Shina Taub. Shaina is Artist-in-Residence at the Public Theater, where Suffs first premiered before moving to Broadway. She created and performed in musical adaptations of Twelfth Night and As You Like It at Shakespeare in the Park with the Public Works community that have since been produced by London’s National Theatre, the Young Vic, and hundreds more theaters and schools worldwide. Taub has won a Jonathan Larson Grant, Kleban Prize, and Fred Ebb Award. She performed Off-Broadway in Hadestown, Great Comet (Lortel nom), Bill Irwin and David Shiner’s Old Hats, which featured her songs, and played Emma Goldman in the Ragtime on Ellis Island concert. She wrote the lyrics for The Devil Wears Prada, with music by Sir Elton John, opening in the West End this year. Her three solo albums include Songs of the Great Hill on Atlantic Records. Television songwriting: “Sesame Street,” “Central Park,” “Julie’s Greenroom” starring Julie Andrews, and the Emmy-nominated opening number for the 2018 Tony Awards, co-written with Sara Bareilles and Josh Groban. She co-chairs the NYCLU’s Artist Ambassadors and received the organization’s Michael Friedman Freedom Award for activism.
Ticket Info: Free; register online for a Zoom link
Presented by:
conversation
concert
Join Phoenix Chamber Ensemble pianists Vassa Shevel and Inessa Zaretsky with guest artists Anna Elashvili on violin and Joshua Halpernon cello.
Program:
Johann Sebastian Bach: Toccata and Fugue in D minor, BWV 566, arranged for piano 4 hands
Ludwig van Beethoven: Piano Trio in G Major, Op.1, No.2
Ludwig van Beethoven: Violin Sonata No.9, Op. 47 (Kreutzer)
Johannes Brahms: Hungarian Dances No.1-5, Arranged by F. Hermann for Piano 4 hands, violin and cello
Founded in 2005 by pianists Vassa Shevel and Inessa Zaretsky, the Phoenix Chamber Ensemble has, over the course of two decades, become a vital part of the New York classical community, presenting more than 70 public concerts at the Center for Jewish History. The ensemble has garnered a devoted following with its innovative programming and sensitive interpretations, earned an international reputation presenting concerts in Russia, Poland, Italy, and other European venues, and collaborated with numerous acclaimed guest artists, including clarinetist David Krakauer, the Grammy-nominated Enso Quartet, the Tesla Quartet, members of the Jasper String Quartet, the New York Little Opera Company, the Metropolitan Opera, and New York City Ballet.
Made possible by the Stravinsky Institute Foundation through the generous support of the Blavatnik Family Foundation. Presented in partnership with the Leo Baeck Institute.
Ticket Info:
In person: $10 general; $9 senior/student; $8 member; click here to register
YouTube: Pay what you wish; click here to register
Presented by:
concert
lecture
Gertrude Berg, the woman widely credited with creating the first sit-com (The Goldbergs) appeared on The Ed Sullivan Show in 1959 to talk about children wanting a Christmas tree for Hanukkah. This navigation of "The December Dilemma" has been a challenge for many American Jewish families, and as such has been plumbed for comedic effect throughout the history of television comedy.
Join YIVO for a very Jewish Christmas celebration featuring a talk by Jennifer Caplan on Jewish television characters managing (or not) to make it through the holidays. A kosher Chinese food dinner will follow the presentation.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: In Person: $15; YIVO members & students: $10
Zoom Livestream: Free; registration is required.
Presented by:
lecture
concert
Andy Statman is the virtuoso klezmer clarinetist that violinist Itzhak Perlman chose to lead his klezmer album, In the Fiddler's House. Statman’s virtuosity is “stunning.” He considers himself lucky, as he is “from the last generation that had a chance to learn from the greats.” He is a disciple of the legendary master klezmer clarinetist Dave Taris, “the most successful immigrant-era Yiddish musician." Tarras, who died in 1989, bequeathed his clarinets to Andy, his greatest protégé – and made him the next link in the chain. Hence, Statman became known primarily as one of the key klezmer revivalists of the '70s and early '80s, among the musicians who launched a great wave to reclaim the music of the Old World.
Much more than a one-genre performer, Statman thinks of his own compositions and performances as "spontaneous personal, prayerful Hasidic music, American-roots music and by way of avant-garde jazz." He is a modest man that takes for granted that a performer might embody several worlds in his art and seems humbled by the fact that his music, like his own story, is extraordinary.
Join the American Society for Jewish Music and YIVO for this year's Hanukkah concert featuring The Andy Statman Trio.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info: $18; YIVO & ASJM members: $12; Seniors & students: $9
Presented by:
concert
book talk
Join the American Jewish Historical Society for a book talk on Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort with author Michael Berkowitz.
It has long been known that Hollywood was actively involved in shaping US public opinion during World War II. Less well documented are the ways in which Washington sought to work behind the scenes, subtly obliterating the boundaries between “studio” and “government” films. Michael Berkowitz studies the contributions of humorist and best-selling author Leo Rosten (The Joys of Yiddish, The Education of H*Y*M*A*N* K*A*P*L*A*N) and writer, producer, and screenwriter Budd Schulberg (On the Waterfront, A Face in the Crowd) in order to examine the elusive story of Jewish Hollywood’s role in World War II.
Hollywood’s Unofficial Film Corps shows that Rosten, Schulberg, and others—including Garson Kanin, George Cukor, Stanley Kramer, and Jules Buck—created movies that were both entertaining and politically expeditious for US war aims. At the same time, in an effort to unify the American public, they avoided focusing on the fate of European Jews, even while addressing racism and antisemitism in the United States. Jewish themes were often downplayed, and Jewish directors, writers, and other contributors frequently went uncredited. As Berkowitz writes, “Rosten’s cohort changed feature films forever.” Thanks to his research, we now have a better understanding of how and why.
Ticket Info: General Admission $10, Students $5
Presented by:
book talk
book talk
Join us in person and online for a book talk on The Civil War Diary of Emma Mordecai with co-author Melissa R. Klapper and moderator Zev Eleff. The Civil War Diary of Emma Mordecai was edited by Dianne Ashton z”l and Melissa R. Klapper and is available from NYU Press.
Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans.
The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women’s roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai’s world, the book chronicles her experiences with dislocation and the loss of her home.
Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South.
Ticket Info: General Admission $10, Students $5
Presented by:
book talk
concert
Arturo O’Farrill, and his Afro Latin Jazz Orchestra, perform a concert that explores the relationship between the Latino and Jewish communities. The evening will feature Jewish and Yiddish classics in Afro Latin big band versions, and Latin classics in Klezmer arrangements. The Orchestra will feature performances by special guests including trumpeter/slide trumpeter, composer Steven Bernstein.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
Ticket Info:
In Person: $25; Members (YIVO, Belongó, ASJM, Borscht Belt Museum, LBI): $15; Students: $15
Zoom Livestream: $10
Presented by:
concert